Tom refers to this as “a collection/retrospective of the last ten wasted years of my artistic life (ha).” Well, he’s full of wilderness muffin mix, for rather it’s a collection of zany gag cartoons and longer pieces, all in a booklet that’s strangely reassuring to hold. Several pages show the influence of Chris Ware’s jolly despair, mostly in the bits featuring a sad sack who looks like a cross between Sluggo and Ware’s gloomy potato man. Recommended: four pages adapting the audio drama at the end of the long version of Stevie Wonder’s “Living For The City”. Hopefully, Tom will have something else for us to groove upon before another decade passes. – Mark Campos, POOPSHEET Oct 18, 2005
Continue Reading REVIEWS: Failure, IncompetencePress
INTERVIEW: gigposters.com
How long have you been making posters?
Well, since 1992 or 93, probably. But, you know, I’ve only been taking it seriously for about, oh….three weeks or so.
Do bands or venues tell you what they’d like their poster to look like?
No, not really anything beyond “Don’t do color – we can’t afford it.”
How did you first get in to making posters?Continue Reading INTERVIEW: gigposters.com
ARTICLE: Honestly, They’re Good (Valley Advocate)
This is not what a Northampton band is supposed to sound like. There’s not a hook to be found. Nor the slightest hint of twang. And no one, not anyone at all, would consider describing No-Shadow Kick‘s music as accessible. Because it isn’t. And it doesn’t want to be. Continue Reading ARTICLE: Honestly, They’re Good (Valley Advocate)
REVIEWS: Through the Wood, Beneath The Moon
Creating a sense of horror in a comic book can be a daunting task these days. With the current profusion of wanton gore, insane clowns, and killer toys throughout the zine world, are there any novel ideas left to send chills down the collective spine of a jaded audience? Luckily for Caliber Comics, their new one-shot book successfully identifies and exploits one of those novel ideas: the nursery rhyme. While fairy tales have often been transformed into film horror (e.g. Neil Jordan’s The Company of Wolves), never before has a comic taken such a benign genre and twisted it into a more grotesquely frightening final product.
Continue Reading REVIEWS: Through the Wood, Beneath The Moon